b. March 30, 1746, Fuendetodos, Spain--d. April 16, 1828, Goya is considered the 18th Century's foremost painter and etcher of Spanish culture, known for his realistic scenes of battles, bullfights and human corruption. Goya lived during a time of upheaval in Spain that included war with France, the Inquisition, the rule of Napoleon's brother, Joseph, as the King of Spain and, finally, the reign of the Spanish King Ferdinand VII. Experts proclaim these events -- and Goya's deafness as a result of an illness in 1793 -- as central to understanding Goya's work, which frequently depicts human misery in a satiric and sometimes nightmarish fashion. From the 1770s he was a royal court painter for Charles III and Charles IV, and when Bonaparte took the throne in 1809, Goya swore fealty to the new king. When the crown was restored to Spain's Ferdinand VII (1814), Goya, in spite of his earlier allegiance to the French king, was reinstated as royal painter. After 1824 he lived in self-imposed exile in Bordeaux until his death, reportedly because of political differences with Ferdinand. Over his long career he created hundreds of paintings, etchings, and lithographs, among them Maya Clothed and Maya Nude (1798-1800); Caprichos (1799-82); The Second of May 1808 and The Third of May 1808 (1814); Disasters of War (1810-20); and The Black Paintings (1820-23).  Related Paintings of Francisco de goya y Lucientes :. | May the rope break | Witches Sabbath | Couple with Parasol on the Paseo | Bartolom Sureda y Miserol | Dona Narcisa Baranana de Goicoechea |
Related Artists:
LANFRANCO, Giovanni
Italian painter (b. 1582, Parma, d. 1647, Roma). Italian painter and draughtsman. A major figure in the development of the Roman Baroque in the 1620s, he painted many altarpieces and some cabinet pictures, but was notable above all for a number of dome frescoes that are indebted to the works of Correggio; most celebrated is the Assumption of the Virgin (1625-7) in the dome of S Andrea della Valle, Rome. He also influenced the development of art in Naples, where, between 1634 and 1646, he executed a series of vast fresco commissions that look forward to the art of Luca Giordano and Francesco Solimena. A vast number of Lanfranco's preparatory drawings survive, the majority of which are now in the Museo e Gallerie Nazionali di Capodimonte, Naples. Broadly speaking they are of two types: small (up to 200*250 mm) compositional sketches, either in brown pen, with or without brown wash, on white or beige fine paper, or in red chalk, sometimes with red wash, or, more rarely, in black chalk or a combination of both red and black; and slightly larger
Francisco Pradilla Ortiz
(July 24, 1848 - November 1, 1921) was a prolific Spanish painter famous for creating historical scenes. He was born in Villanueva de Gellego, near Zaragoza in Aragon, and studied initially in Zaragoza and then transferred to the Real Academia de Bellas Artes de San Fernando and the Academia de Acuarelistas in Madrid. In 1873, he won a scholarship to go to Rome. From there he had opportunities to travel to France and Venice and studied the old masters. In 1878 he submitted his painting Doña Joanna of Castile or (Juana la Loca) to the National Exhibition in Spain and was awarded the Medal of Honor. The Spanish Senate then commissioned him to create La Rendicien de Granada (The Surrender of Granada) that took him three years to complete (1882). In 1881 he became the Director of the Spanish Arts Academy in Rome, but resigned from this post after two years. He traveled, mostly in Italy, portraying local themes and people. In 1897 he returned to Madrid as the director of the Museo del Prado. He held this position only briefly and then focused again on painting. His total output is well over 1,000 paintings showing his interest in a variety of subjects and styles, often without regard of the current fashion. He is primarily recognized for his historical paintings, the last one completed in 1910 carries one of the longer titles of a major painting, Cortejo del bautizo del Prencipe Don Juan, hijo de los Reyes Catelicos, por las calles de Sevilla (Retinue of the Baptism of Don Juan, son of the Catholic Monarchs, Along the Streets of Seville). Much more common, however, are costumbristaseoften romanticized studies that show local customs or mannerseand landscapes that are often sketchy, with impressionistic influences. Financial duress after the bankruptcy of his bank may have imposed a special need to be productive. He died in Madrid in 1921 at the age of 73.
Egid Quirin Asam
German Baroque Era Sculptor, 1692-1750,was a German plasterer and sculptor active during the period of the Late Baroque. Born in Tegernsee, Bavaria, Asam worked mainly together with his brother, the architect and painter Cosmas Damian Asam. Because of this, their common work is often attributed to the Asam Brothers. Asam died in Mannheim.